Schedule - Deutsche Oper Berlin
















Beta
Investigative music theatre by Christiane Mudra and Dariya Maminova
World premiere by Christiane Mudra and Dariya Maminova
Premiere on 17 February 2024
approx. 2 hours / No intermission
In German with German and English surtitles
recommended from 15 years- Composing
- Concept, research, text and directing
- Conductor
- Stage design based on a design by
- Costumes
- Video/CGI/VFX
- Creative Technologist
- Dramaturgy
- Lou
- Scarlett
- Hannes
- Julian Zapp
- Untitled
- Clara Sanders
- Grand piano, harpsichord, electronics
- Violin, electronics
- Viola, electronics
- Double bass, electronics
- Percussions
- Premiere // World Premiere17202420:00FebSat€ 20,00 / concs.* € 10,00
- 20202420:00FebTue€ 20,00 / concs.* € 10,00
- Repertoire22202420:00FebThu€ 20,00 / concs.* € 10,00
- Repertoire23202420:00FebFri€ 20,00 / concs.* € 10,00
- Repertoire24202420:00FebSat€ 20,00 / concs.* € 10,00
- Repertoire28202420:00FebWed€ 20,00 / concs.* € 10,00
- Repertoire01202420:00MarFri€ 20,00 / concs.* € 10,00
- Last Performance02202420:00MarSat€ 20,00 / concs.* € 10,00
- Composing
- Concept, research, text and directing
- Conductor
- Stage design based on a design by
- Costumes
- Video/CGI/VFX
- Creative Technologist
- Dramaturgy
- Lou
- Scarlett
- Hannes
- Julian Zapp
- Untitled
- Clara Sanders
- Grand piano, harpsichord, electronics
- Violin, electronics
- Viola, electronics
- Double bass, electronics
- Percussions
A tech pioneer celebrated as a genius promotes his visionary projects to revolutionise the livelihood of people worldwide. A hacker warns against the accumulation of power by a few global corporations and researches artificial intelligence. A politician pushes the digitalisation of state institutions and is confronted with the challenges of disinformation, data and consumer protection.
Technology has pervaded all areas of society. BETA, here as a world premiere, explores not only the potential of digital tools but also the risks inherent in the monetarisation of relinquished private data. To what extent do the economic interests and tactics of tech multinationals clash with ethical issues and constitutional questions? How can European laws and state institutions effectively regulate the power of global high-tech corporations and protect people’s civic rights? The work is based on research by Christiane Mudra, a writer/director who uses leaks, legal texts and interviews with industry experts to explore the interplay between policymakers, society and tech concerns.
Dariya Maminova’s composition interweaves genres and blends live sounds with intricate electronic music, constantly toying with our perception of analogue and digitally generated music. Interactive tools encourage the audience to adopt a stance on the issues raised and influence the course of the performance.